Collection of contemporary art

Vavpotič often dealt with his image. Many self-portraits are preserved, but in the photograph, we see one of the last paintings painted by the artist in the later period. For Vavpotič a characteristic realistic portrait speaks of the artist's external appearance, but at the same time, through his eyes, we also perceive a person, his inner feelings, which he shows as a somewhat concerned, perhaps even bitten, unfulfilled man.

Maleš put a love couple in the embrace in the central axis of the picture. The low-ranking scene is a meadow that is sputtered, with schematic rosaries, and the horizons are also closed by schematically drawn mountains. The representation of the horizon is indicated by the whiteness of the sheet, with a shade of blue on one side and the yellow sun on the other, which associates well with the depiction of the volatile and changing sky in May.

The work Pregnant dated in the year 1949 and shows the female figure with a small oval head and a broadly rounded body. On the tense abdomen, the resting hands indicate the state of expectation of the depicted woman. In this statue Savinšek abandoned all the details that would hinder the understanding and vision of the body, its volume.

Beginning in 1934, Maleš’s famous series of Tivoli, the landscapes of our formerly beautiful park in Ljubljana in various seasons, are beginning to emerge. From a still ordinary motive, Maleš could extract the mood of nature. In front of us, there are trees, barely visible in a snowstorm, set on the bank, snow-covered walking paths, a solitary walker. In addition to the colour values that Tivoli motives bring to the development of Slovenian landscaping, it is necessary to emphasize the compositional balance and even the sense of the melody of the depicted trees and people.

In 1937 the first book with Miha Maleš' illustration of the Prešeren Wreath of Sonnets was published. The introductory text was written by Rajko Ložar. It is about thirty celestial illustrations - black and white linoleums,

Maks Koželj created numerous depictions of Kamnik and the Kamnik Alps in the technique of watercolour and oil.

The work Carnival Dance expresses what Cuderman devoted most of his painting to – the figure as such, which was his eternal inspiration.

In front of us sits a woman in Slovene national costume without a hat, in her lap is a girl with a toy in her hands, next to them sits a boy with a book. They are all customized in a slightly reworked national costume, especially the boy's costume with leather pants, suspenders and a scarf

The work of the academic painter Lojze Perko (1909-1980) was created in 1954, which depicts the Utok factory in Kamnik, when it was nationalized and expanded tremendously from the once small private leather factory of Tone Knaflič. Perko designed the picture from the courtyard side.

The graphic work Pearl Earring, in the woodcut technique and printed by hand, is the work of a younger generation Kamnik artist, Oliver Pilić.

Jakob Savinšek designed the design of many figures in drawings, where we can follow his many ideas and concepts, some of which were not realized. His basis has always been the human figure, in which, as he himself said, all forms merge. That is why he studied problems of balance, convex and concave forms, planes and curves, proportions, movement. He found the transition from a frontal standing posture to a moving position in the darkness of the dancers, where he presented the faces schematically and, like the bearer of individual sculptures, highlighted the movement.